Πρόσφατα άρθρα

Theatricality, didacticism, prosaic verse, use of persons as symbols, contemplative mood, flashbacks are some of Cavafy’s recurring ‘tropes’. Discuss.

Within the vast poetry collection of Constantine Cavafy, arguably, a pattern of recurring tropes emerges, offering the readers an in depth understanding of what defines his artistry. The poems that I have chosen for this essay being Young Men of Sidon, Alexandrian Kings and Kaisarion, from his book The Collected poems. One might say that they serve as an example of Cavafy’s gravitation towards an array of literary devices such as theatricality, didacticism, prosaic verse, use of persons as symbols, contemplative mood and flashbacks, one might say that they create a narrative that extends beyond the individual poems, inviting us to explore the timeless themes captured by Cavafy.

Συνέχεια

Theatricality, didacticism, prosaic verse, use of persons as symbols, contemplative mood, flashbacks are some of Cavafy’s recurring ‘tropes’. Discuss.

Discuss the portrayal and effects of loss in the poetry of Cavafy

My Mother's Sin and Other Stories A series of lectures on Modern Greek literature taught by Dr Dimitra Tzanidaki-Kreps This is a first class essay of one of my students, Jenny Wight, who took my course this year writing beautifully on the effects of loss in Cavafy's poetry.

Συνέχεια

Discuss the portrayal and effects of loss in the poetry of Cavafy

Discuss the portrayal and effects of loss in the poetry of Cavafy

My Mother's Sin and Other Stories A series of lectures on Modern Greek literature taught by Dr Dimitra Tzanidaki-Kreps This is a first class essay of one of my students, Jenny Wight, who took my course this year writing beautifully on the effects of loss in Cavafy's poetry.

Συνέχεια

Discuss the portrayal and effects of loss in the poetry of Cavafy

In Ritsos’ Moonlight Sonata what sentiments does the woman’s confession provoke/inspire to you and how these compare to the ones felt by the young man who remains silent throughout her long monologue.

Yannis Ritsos' "Moonlight Sonata" is a poignant and emotionally charged poem that presents a deeply intimate monologue of a woman speaking to a silent young man. The setting is night, with the moonlight casting a dreamlike atmosphere over the scene. The woman's confession, filled with personal revelations, memories, and emotions, evokes a variety of sentiments in the reader and provokes a complex response.

Συνέχεια

In Ritsos’ Moonlight Sonata what sentiments does the woman’s confession provoke/inspire to you and how these compare to the ones felt by the young man who remains silent throughout her long monologue.

Hyperion or the hermit in Greece

Concept, dramaturgy and performance by Dimitra Kreps

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Hyperion or the hermit in Greece

«Examine how homoerotic love is expressed in Cavafy’s erotic poetry» By Yousuf Danawi, Reading University

This essay aims to examine the manner in which homoerotic love is expressed in Constantine Peter Cavafy’s erotic poetry.Initially, it will provide a brief introduction entailing contextual information. Subsequently, this essay will bestow an intricate analysis of his erotic poems, with a particular focus on elucidating recurrent themes pertaining tohomoerotic love. The analysis will explore both the formal and thematic constituents of Cavafy’s erotic poetry, accompanied by a pervading extraction of deeper meaning.This examination will be enhanced utilising relevant secondary literature. The primary source that consists of the poems to be discussed in this essay derives from a digital anthology that comprises Cavafy’s ‘Recognised’, ‘Denounced’, and ‘Hidden’ poems

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«Examine how homoerotic love is expressed in Cavafy’s erotic poetry» By Yousuf Danawi, Reading University

Poetics and Histories: To What Extent Did C. P. Cavafy Alter Historical Narratives, and for What Artistic Purposes?

stuident Name: Joseph Watson Module Lecturer: Dr Dimitra Tzanidaki-Kreps Date of Submission: 11/01/2016

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Poetics and Histories: To What Extent Did C. P. Cavafy Alter Historical Narratives, and for What Artistic Purposes?

The form of Dramatic Monologue as perfected by Ritsos’ poetry.

Yannis Ritsos is widely regarded as one of the most significant figures in contemporary Greek poetry. He managed to revolutionise the idea of a dramatic monologue and create not just beautiful poetry, but also a multifaceted art form that has depth on psychological, social, and philosophical levels throughout all of his publications. The dramatic monologue form was popularised by Victorian poets such as Robert Browning, but Ritsos revitalised it and many poets to this day still use his style as inspiration. His ability to construct identities and characters that the reader can genuinely sense and almost experience is skilful.

Συνέχεια

The form of Dramatic Monologue as perfected by Ritsos’ poetry.

How does Seferis’ mythical method interact with Greece’s lasting socio-political issues?

Seferis uses the mythical method in his poetry to allude to and comment upon social and political issues in Greece in his lifetime. Before discussing his poetry, it is important to define what is meant by Seferis’ mythical method. This method can be described as allusive, as although Seferis does make direct references to myth he does so in inventive ways, for example by using narrative space, symbols and characters to evoke Greek myths.

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How does Seferis’ mythical method interact with Greece’s lasting socio-political issues?

ἐξ ἐρίων δὴ καὶ κλωστήρων καὶ ἀτράκτων

This essay examines that metaphor in the context of the political and war situation at the time Lysistrata was first performed. It considers traditional gender roles in the fifth-century Greek polis and Lysistrata’s inversion of those roles in her weaving analogy. Aristophanes’ comedic purpose in the weaving speech, in Lysistrata as a whole, and more generally across his corpus is examined. In addition, some observations are made about the sound pattern of Lysistrata’s speech and, in a personal argument, a speculative suggestion is advanced that the audience might have associated her cadences with the familiar rhythms of a domestic weaving loom.

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ἐξ ἐρίων δὴ καὶ κλωστήρων καὶ ἀτράκτων
Υποβλήθηκε από frantzkyr την Δευ, 2010-04-19 13:02.

TΟ TOΠΙΟ ΑΛΛΑΖΕΙ ΑΡΔΗΝ

Δρ Φραντζή Κυριακή

 

Οι  επικείμενες περικοπές στους μισθούς και  τα επιμίσθια των αποσπασμένων στο εξωτερικό είναι σίγουρο ότι θα αλλάξουν το τοπίο της γενναιοδωρίας προς την ελληνόγλωσση εκπαίδευση της διασποράς από την πλευρά της Ελλάδας. Θα φέρουν επιπλέον στην επιφάνεια προβλήματα και δυσαρέσκειες που ως τώρα παραπέμπονταν στις καλένδες, φρόντιζαν να τα λύνουν -Κύριος οίδε με ποιές αβαρίες- μόνοι τους οι εκπαιδευτικοί,  ή παρέμεναν στο σκοτάδι.

Για την Αυστραλία τέτοια προβλήματα είναι τα ούτως ή άλλως χαμηλά επιμίσθια παρά την οικονομική επιβάρυνση που συνεπάγεται η απόσταση, η πλήρης απουσία υγειονομικής    κάλυψης σε ώρα ανάγκης. το υψηλό κόστος ζωής  στις μεγάλες πόλεις(Μ.Ο 1500$ επί επιμισθίου 2460$ στο Σύδνεϋ), τα ετήσια έξοδα για την ανανέωση της βίζας μετά την τριετία,  καθώς  και μια ορισμένη τακτική μεροληψίας που ακολουθείται από  παράγοντες με επιρροή όταν διαπραγματεύονται επίμαχες  θέσεις και αποφάσεις.

Αντίθετα με την νοοτροπία της στέρησης που έχει επικρατήσει λόγω της  οικονομικής κρίσης,  ο πλούτος δεν είναι μόνο θέμα χρημάτων, αλλά και ανταλλαγής ενέργειας σε ισότιμη βάση. Καιρός είναι να επιδείξουν και οι εκπαιδευτικοί και παροικιακοί οργανισμοί του εξωτερικού  τη γενναιοδωρία που τους αναλογεί και στην πράξη. Συμπεριλαμβάνοντας  π.χ.  τους απεσταλμένους από την Ελλάδα

  • σε συναντήσεις παροικιακών ιδρυμάτων όταν παίρνονται κρίσιμες αποφάσεις που αφορούν τον ιδιαίτερο και ευρύτερο  χώρο της δουλειάς τους
  • σε ερευνητικά- πανεπιστημιακά ή άλλα- προγράμματα
  • στις συνεδριάσεις του ελληνόγλωσσου και ξενόγλωσσου προσωπικού στους χώρους όπου εργάζονται 

με βάση την εμπειρία, τα -τυπικά και άλλα- προσόντα και την προσφορά τους. Προς το  παρόν  δε λείπουν τα φαινόμενα συνεργασίας με τους "συγγενείς"  από την Ελλάδα σε ώρα ανάγκης,   και εξαφάνισης  τους δια της πλαγίας  από τον ορίζοντα  όταν φτάνει η ώρα της μοιρασιάς. Το ίδιο θα χρειαστεί να  επιδιώξει  και η Ελλάδα, αν δεν προορίζει τους ανθρώπους της για εφεδρικό ωρομίσθιο προσωπικό με περιθωριακό ρόλο και λόγο στην εκπαίδευση της διασποράς. Διαφορετικά θα εισπράξουν όλες οι πλευρές τις συνέπειες, αν δεν τις έχουν  ήδη εισπράξει εκ των πραγμάτων.

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