Πρόσφατα άρθρα

The form of Dramatic Monologue as perfected by Ritsos’ poetry.

Yannis Ritsos is widely regarded as one of the most significant figures in contemporary Greek poetry. He managed to revolutionise the idea of a dramatic monologue and create not just beautiful poetry, but also a multifaceted art form that has depth on psychological, social, and philosophical levels throughout all of his publications. The dramatic monologue form was popularised by Victorian poets such as Robert Browning, but Ritsos revitalised it and many poets to this day still use his style as inspiration. His ability to construct identities and characters that the reader can genuinely sense and almost experience is skilful.

The form of Dramatic Monologue as perfected by Ritsos’ poetry.

The Emotional Resonance of the Woman’s Confession in Ritsos’ Moonlight Sonata: A Comparative Analysis of Sentiments by Adrijana Tomusic

Title photo: Dimitra Kreps performing Moonlight Sonata for Master’s in Physical theatre, photo credit: Yannis Katsaris

The Emotional Resonance of the Woman’s Confession in Ritsos’ Moonlight Sonata: A Comparative Analysis of Sentiments by Adrijana Tomusic

Discuss the portrayal and effects of loss in the poetry of Cavafy

My Mother's Sin and Other Stories A series of lectures on Modern Greek literature taught by Dr Dimitra Tzanidaki-Kreps This is a first class essay of one of my students, Jenny Wight, who took my course this year writing beautifully on the effects of loss in Cavafy's poetry.

Discuss the portrayal and effects of loss in the poetry of Cavafy

«Examine how homoerotic love is expressed in Cavafy’s erotic poetry» By Yousuf Danawi, Reading University

This essay aims to examine the manner in which homoerotic love is expressed in Constantine Peter Cavafy’s erotic poetry.Initially, it will provide a brief introduction entailing contextual information. Subsequently, this essay will bestow an intricate analysis of his erotic poems, with a particular focus on elucidating recurrent themes pertaining tohomoerotic love. The analysis will explore both the formal and thematic constituents of Cavafy’s erotic poetry, accompanied by a pervading extraction of deeper meaning.This examination will be enhanced utilising relevant secondary literature. The primary source that consists of the poems to be discussed in this essay derives from a digital anthology that comprises Cavafy’s ‘Recognised’, ‘Denounced’, and ‘Hidden’ poems

 «Examine how homoerotic love is expressed in Cavafy’s erotic poetry» By Yousuf Danawi, Reading University

Discuss the portrayal and effects of loss in the poetry of Cavafy

My Mother's Sin and Other Stories A series of lectures on Modern Greek literature taught by Dr Dimitra Tzanidaki-Kreps This is a first class essay of one of my students, Jenny Wight, who took my course this year writing beautifully on the effects of loss in Cavafy's poetry.

Discuss the portrayal and effects of loss in the poetry of Cavafy

In Ritsos’ Moonlight Sonata what sentiments does the woman’s confession provoke/inspire to you and how these compare to the ones felt by the young man who remains silent throughout her long monologue.

Yannis Ritsos' "Moonlight Sonata" is a poignant and emotionally charged poem that presents a deeply intimate monologue of a woman speaking to a silent young man. The setting is night, with the moonlight casting a dreamlike atmosphere over the scene. The woman's confession, filled with personal revelations, memories, and emotions, evokes a variety of sentiments in the reader and provokes a complex response.

In Ritsos’ Moonlight Sonata what sentiments does the woman’s confession provoke/inspire to you and how these compare to the ones felt by the young man who remains silent throughout her long monologue.

Hyperion or the hermit in Greece

Concept, dramaturgy and performance by Dimitra Kreps

Hyperion or the hermit in Greece

Theatricality, didacticism, prosaic verse, use of persons as symbols, contemplative mood, flashbacks are some of Cavafy’s recurring ‘tropes’. Discuss.

Within the vast poetry collection of Constantine Cavafy, arguably, a pattern of recurring tropes emerges, offering the readers an in depth understanding of what defines his artistry. The poems that I have chosen for this essay being Young Men of Sidon, Alexandrian Kings and Kaisarion, from his book The Collected poems. One might say that they serve as an example of Cavafy’s gravitation towards an array of literary devices such as theatricality, didacticism, prosaic verse, use of persons as symbols, contemplative mood and flashbacks, one might say that they create a narrative that extends beyond the individual poems, inviting us to explore the timeless themes captured by Cavafy.

Theatricality, didacticism, prosaic verse, use of persons as symbols, contemplative mood, flashbacks are some of Cavafy’s recurring ‘tropes’. Discuss.

How does Seferis’ mythical method interact with Greece’s lasting socio-political issues?

Seferis uses the mythical method in his poetry to allude to and comment upon social and political issues in Greece in his lifetime. Before discussing his poetry, it is important to define what is meant by Seferis’ mythical method. This method can be described as allusive, as although Seferis does make direct references to myth he does so in inventive ways, for example by using narrative space, symbols and characters to evoke Greek myths.

How does Seferis’ mythical method interact with Greece’s lasting socio-political issues?

Sin, Suffering, and the Search for Belonging: George Vizyenos's Literary World by Yena Kwak

Introduction George Vizyenos (1849–1896) stands as a seminal figure in modern Greek literature, adeptly weaving personal experience with historical and cultural reflections in his fiction. His narratives delve into the intricate landscapes of memory, loss, and belonging, echoing broader themes of Greek identity and diaspora.

Sin, Suffering, and the Search for Belonging: George Vizyenos's Literary World by Yena Kwak

Πίνακες

Γιάννης Ζηκούδης: Ρήματα

Παρουσίαση των Ρημάτων Μέσης-Παθητικής Φωνής.
Για χρήση σε επίπεδο αρχαρίων. Απλοποιημένη παρουσίαση ρημάτων που λήγουν σε -μαι. Δείτε εδώ

Πίνακες αρχαίων ελληνικών ρημάτων που χρησιμοποιούνται στη νέα ελληνική: Τα ρήματα Βάλλω και Θέτω

Γιάννης Ζηκούδης: Αντιστοιχία Ερωτηματικών Επιρρημάτων και Αντωνυμιών με Αναφορικά Επιρρήματα και Αντωνυμίες

ΑΝΤΙΣΤΟΙΧΙΑ ΕΡΩΤΗΜΑΤΙΚΩΝ ΕΠΙΡΡΗΜΑΤΩΝ ΚΑΙ ΑΝΤΩΝΥΜΙΩΝ ΜΕ ΑΝΑΦΟΡΙΚΑ ΕΠΙΡΡΗΜΑΤΑ ΚΑΙ ΑΝΤΩΝΥΜΙΕΣ (Με παραδείγματα και ασκήσεις)

εδώ

Γιάννης Ζηκούδης: Εισαγωγή στο ρήμα της νέας ελληνικής (2009)

Αυτή η παρουσίαση ρημάτων είναι εισαγωγή στα Ρηματα της Ν. Ελληνικής ειδικά για αγγλόφωνους και φοιτητές χωρίς γνώση πολλών γραμματικών όρων.

Πίνακας Ρημάτων

Αλυσίδες Λέξεων - Γιάννης Ζηκούδης

Οι "αλυσίδες λέξεων" που χρησιμοποιεί ο κος Ζηκούδης για να διευκολύνει την εκμάθηση λέξεων...Με τον τρόπο που παρατάσσονται οι λέξεις είναι εύκολο να απομνημονευθούν μια και παραπέμπουν σε διαδοχές γεγονότων. Το ίδιο υλικό μπορεί να χρησιμοποιηθεί και για την σύνταξη σύντομων αφηγήσεων.

word chains   

 

Υποθετικοί λόγοι και χρονικές προτάσεις - Γιάννης Ζηκούδης

Συνάδελφοι,
στέλνω στις Φρυκτωρίες μια παρουσίαση των Υποθετικών Λόγων στα Νέα Ελληνικά ειδωμένη από τη σκοπιά της Αγγλικής, αντιπαραβάλοντας τις αντίστοιχες συντάξεις της αγγλικής.br> Οι τύποι είναι: το πραγματικό στο παρόν και μέλλον, το απίθανο στο παρόν, το απίθανο στο παρελθόν και τέλος οι μεικτοί ή σύνθετοι υποθετικοί λόγοι (απόδοση στο παρόν με υπόθεση αναφερόμενη στο παρελθόν).

Πίνακες για την ορθογραφία - Γιάννης Ζηκούδης

SPELLINGRULES / ΒΑΣΙΚΟΙ ΚΑΝΟΝΕΣ ΟΡΘΟΓΡΑΦΙΑΣ

PROBLEM  AREAS 1) -o- 2) -e- 3) -i-

-o-

ο

neuter nouns / adj

Πίνακες για την αιτιατική - Ιωάννης Ζηκούδης

MDGK 101

I. ZIKOUDIS

THE USE OF NOMINATIVE AND ACCUSATIVE

NOMINATIVE (ονομαστική)

αυτός ο

αυτός ο

αυτός ο

αυτός ο

αυτός ο

- ος ο

Οικογένειες Λέξεων - Ιωάννης Ζηκούδης

ΤΟ ΣΠΙΤΙ

 

THE HOUSE

Η ΠΟΛΗ

THE CITY

Το ρήμα της νέας ελληνικής - Πίνακες

Γεωργία Κατσέλου

Το ΝΕ Ρήμα

Με αφορμή τους πίνακες του ΝΕ ρήματος της συναδέλφου Αρετής Πότσιου θα ήθελα να προτείνω κάποιους εναλλακτικούς -μορφολογικού1 κυρίως χαρακτήρα - πίνακες που περιγράφουν τη δομή του νεοελληνικού ρήματος με κάπως πιο «οικονομικό» τρόπο.

ΕΝΕΡΓΗΤΙΚΗ ΦΩΝΗ

 

ΟΡΙΣΤΙΚΗ

Πίνακες Γραμματικής και Διδασκαλία Γλώσσας

Αρετή Πότσιου
Φίλες και φίλοι,

© 2012 Κέντρο Ελληνικής Γλώσσας - Πύλη για την Ελληνική Γλώσσα