Πρόσφατα άρθρα

Hyperion or the hermit in Greece

Concept, dramaturgy and performance by Dimitra Kreps

Hyperion or the hermit in Greece

In Ritsos’ Moonlight Sonata what sentiments does the woman’s confession provoke/inspire to you and how these compare to the ones felt by the young man who remains silent throughout her long monologue.

Yannis Ritsos' "Moonlight Sonata" is a poignant and emotionally charged poem that presents a deeply intimate monologue of a woman speaking to a silent young man. The setting is night, with the moonlight casting a dreamlike atmosphere over the scene. The woman's confession, filled with personal revelations, memories, and emotions, evokes a variety of sentiments in the reader and provokes a complex response.

In Ritsos’ Moonlight Sonata what sentiments does the woman’s confession provoke/inspire to you and how these compare to the ones felt by the young man who remains silent throughout her long monologue.

«Examine how homoerotic love is expressed in Cavafy’s erotic poetry» By Yousuf Danawi, Reading University

This essay aims to examine the manner in which homoerotic love is expressed in Constantine Peter Cavafy’s erotic poetry.Initially, it will provide a brief introduction entailing contextual information. Subsequently, this essay will bestow an intricate analysis of his erotic poems, with a particular focus on elucidating recurrent themes pertaining tohomoerotic love. The analysis will explore both the formal and thematic constituents of Cavafy’s erotic poetry, accompanied by a pervading extraction of deeper meaning.This examination will be enhanced utilising relevant secondary literature. The primary source that consists of the poems to be discussed in this essay derives from a digital anthology that comprises Cavafy’s ‘Recognised’, ‘Denounced’, and ‘Hidden’ poems

 «Examine how homoerotic love is expressed in Cavafy’s erotic poetry» By Yousuf Danawi, Reading University

Discuss the portrayal and effects of loss in the poetry of Cavafy

My Mother's Sin and Other Stories A series of lectures on Modern Greek literature taught by Dr Dimitra Tzanidaki-Kreps This is a first class essay of one of my students, Jenny Wight, who took my course this year writing beautifully on the effects of loss in Cavafy's poetry.

Discuss the portrayal and effects of loss in the poetry of Cavafy

ἐξ ἐρίων δὴ καὶ κλωστήρων καὶ ἀτράκτων

This essay examines that metaphor in the context of the political and war situation at the time Lysistrata was first performed. It considers traditional gender roles in the fifth-century Greek polis and Lysistrata’s inversion of those roles in her weaving analogy. Aristophanes’ comedic purpose in the weaving speech, in Lysistrata as a whole, and more generally across his corpus is examined. In addition, some observations are made about the sound pattern of Lysistrata’s speech and, in a personal argument, a speculative suggestion is advanced that the audience might have associated her cadences with the familiar rhythms of a domestic weaving loom.

ἐξ ἐρίων δὴ καὶ κλωστήρων καὶ ἀτράκτων

Poetics and Histories: To What Extent Did C. P. Cavafy Alter Historical Narratives, and for What Artistic Purposes?

stuident Name: Joseph Watson Module Lecturer: Dr Dimitra Tzanidaki-Kreps Date of Submission: 11/01/2016

Poetics and Histories: To What Extent Did C. P. Cavafy Alter Historical Narratives, and for What Artistic Purposes?

How does Seferis’ mythical method interact with Greece’s lasting socio-political issues?

Seferis uses the mythical method in his poetry to allude to and comment upon social and political issues in Greece in his lifetime. Before discussing his poetry, it is important to define what is meant by Seferis’ mythical method. This method can be described as allusive, as although Seferis does make direct references to myth he does so in inventive ways, for example by using narrative space, symbols and characters to evoke Greek myths.

How does Seferis’ mythical method interact with Greece’s lasting socio-political issues?

The form of Dramatic Monologue as perfected by Ritsos’ poetry.

Yannis Ritsos is widely regarded as one of the most significant figures in contemporary Greek poetry. He managed to revolutionise the idea of a dramatic monologue and create not just beautiful poetry, but also a multifaceted art form that has depth on psychological, social, and philosophical levels throughout all of his publications. The dramatic monologue form was popularised by Victorian poets such as Robert Browning, but Ritsos revitalised it and many poets to this day still use his style as inspiration. His ability to construct identities and characters that the reader can genuinely sense and almost experience is skilful.

The form of Dramatic Monologue as perfected by Ritsos’ poetry.

Theatricality, didacticism, prosaic verse, use of persons as symbols, contemplative mood, flashbacks are some of Cavafy’s recurring ‘tropes’. Discuss.

Within the vast poetry collection of Constantine Cavafy, arguably, a pattern of recurring tropes emerges, offering the readers an in depth understanding of what defines his artistry. The poems that I have chosen for this essay being Young Men of Sidon, Alexandrian Kings and Kaisarion, from his book The Collected poems. One might say that they serve as an example of Cavafy’s gravitation towards an array of literary devices such as theatricality, didacticism, prosaic verse, use of persons as symbols, contemplative mood and flashbacks, one might say that they create a narrative that extends beyond the individual poems, inviting us to explore the timeless themes captured by Cavafy.

Theatricality, didacticism, prosaic verse, use of persons as symbols, contemplative mood, flashbacks are some of Cavafy’s recurring ‘tropes’. Discuss.

Discuss the portrayal and effects of loss in the poetry of Cavafy

My Mother's Sin and Other Stories A series of lectures on Modern Greek literature taught by Dr Dimitra Tzanidaki-Kreps This is a first class essay of one of my students, Jenny Wight, who took my course this year writing beautifully on the effects of loss in Cavafy's poetry.

Discuss the portrayal and effects of loss in the poetry of Cavafy

Κοπή Βασιλόπιτας στη Φιλοσοφική Σχολή της Νις

dimosthenis writes, "Στις 24 Φεβρουαρίου, ημέρα Τρίτη και ώρα 13.00, θα γίνει η κοπή της Βασιλόπιτας στη Φιλοσοφική Σχολή του Πανεπιστημίου της Νις στη Σερβία. Η πρωτοβουλία της εκδήλωσης ανήκει στους διδάσκοντες την Ελληνική γλώσσα στη Σχολή και θα παρευρεθεί ο πρέσβης της Ελλάδας στο Βελιγράδι και ο Έλληνας Πρόξενος της Νις. Κατά τη διάρκεια της εκδήλωσης ο Έλληνας Πρόξενος θα ανακοινώσει και επίσημα τη μεγάλη δωρεά που πραγματοποίησε το Ελληνικό Προξενείο της Νις στο μάθημα της Νέας Ελληνικής Γλώσσας για την αγορά υλικοτεχνικής υποδομής.

Όσοι συνάδελφοι και φίλοι επιθυμούν να παρευρεθούν, είναι ευπρόσδεκτοι!

Με συναδελφικούς χαιρετισμούς

Δημοσθένης Στρατηγόπουλος
"

20 Φεβρουαρίου 2004

Νέα Υόρκη - Queens College

Γιάννης Ζηκούδης

Μια πρώτη περιγραφή των εμπειριών μου από τη διδασκαλία της Ελληνικής στη Νέα Υόρκη, ο χώρος και οι άνθρωποί του.

4 Φεβρουαρίου 2004

Διδασκαλία Λογοτεχνίας, Ιστορίας,Γλώσσας

Συνοπτική παρουσίαση μαθήματων Ελληνικής Λογοτεχνίας, Ιστορίας, Γλώσσας (περιεχόμενο, στόχοι,αριθμός και χαρακτηριστικά των φοιτητών).



Πολυβία Παραρά

27 Ιανουαρίου 2004

Πανεπιστήμιο του Surrey-Αγγλία

Charitini writes, "Αγαπητοί συνάδελφοι,

Καλή Χρονιά!

Με το κείμενό μου αυτό θα ήθελα να σας ενημερώσω σχετικά με τη δουλειά μου στο Surrey."

26 Ιανουαρίου 2004

Δωρεάν σύνδεση στο Διαδίκτυο!

dimosthenis writes, " Αγαπητοί συνάδελφοι,
"

3 Ιανουαρίου 2004

Ποιήματα

errante writes, "Κάλαντα Χριστουγέννων και Πρωτοχρονιάς, καθώς και μερικά ποιήματα που μπορούν να χρησιμοποιηθούν στα πρώτα επίπεδα (το πρώτο και δεύτερο έτος σπουδών).

"

23 Δεκεμβρίου 2003

Συνέδριο στο Πανεπιστήμιο του Πεκίνου

Φλώρος Σιγάλας

Στο διάστημα 10-15 Δεκεμβρίου πραγματοποιήθηκε εδώ στο παν/μιο του Πεκίνου

22 Δεκεμβρίου 2003

Αγαπητοί συνάδελφοι

frantzkyr

Όσα συμβαίνουν τελευταία-και δεν αναφέρομαι μόνο στη συνάδελφο Αρετή Πότσιου αλλά και σε άλλους από εμάς των οποίων οι υποθέσεις ομολογούνται ή δεν ομολογούνται- δείχνουν ότι είναι καλό οι καταστάσεις να προλαβαίνονται προτού φτάσουν στο απροχώρητο. Αυτό αφορά και το ελληνικό Υπουργείο Παιδείας, και τους αξιολογούντες υπεύθυνους των τμημάτων, και τα πανεπιστήμια στα οποία εργαζόμαστε,

19 Δεκεμβρίου 2003

Περί βοηθητικού προσωπικού στο μαγαζάκι της μακρινής οδού

errante writes, "Καθυστέρησα, συνάδελφοι, γιατί τι να πω, τα απίστευτα; Και τι να πρωτοπώ, άλλωστε. Τέλος πάντων, ήνεγκεν η ώρα."

15 Δεκεμβρίου 2003

Συνέδριο «Κωνσταντινούπολη 550 χρόνια από την άλωση», Γρανάδα, 4-6 Δεκεμβρίου.

errante writes, "Συνεδρίου περιήγησις.

Συνέδριο, αχ συνέδριο! (Πώς έλεγε το τραγουδάκι στη Λιλιπούπολη «θέλω μουσείο, μουσείο, αχ μουσείο..») Έκανα λοιπόν μια περιήγηση στο συνέδριο, και τα στοιχεία που μπορώ να δώσω είναι μάλλον περιγραφικά. Κι αυτό γιατί ..
"

© 2012 Κέντρο Ελληνικής Γλώσσας - Πύλη για την Ελληνική Γλώσσα